They wore simple leather shoes (Romanian: opinci). Over they wore shaggy sarici with long sleeves and left on back.

In Chronicon Pictum Vindobonense are portrayed men in white shirts and trousers (Romanian: cioareci). In Codex Latinus Parisinus, written during 1395–1396 by Paulus Sanctinus Ducensis, military engineer of King Sigismund of Luxembourg, besides portraits of knights and footmen appear described ancillaries of the army: craftsmen, cartmen, fishermen. As a result, the autochthonous popular garment is a system of which developed the regional variations, through innovations and contaminations caused by each creator against the prototype schema.īut representations of peasant port date from the fourteenth century. Popular clothes Carpatho-Danubian territory summarizes existential and spiritual dimension of Romanians, but component parts of clothes multiplied and the clothing became a costume. Also, having different colors is the most useful means for expressing feelings and behaviors. For example, the thread of spun is column-shaped and spirally twisted, which increases the sacredness of the fabric. Thus, it is still possible to talk about a civilization of sacred fabrics. The purpose of the garments worn by the ancestors was to facilitate dialogue with the unseen forces of the cosmos. Since 3500 BC and until year zero has passed from the sacred weaving to the vestment, the ritual reaching from the imposing space of the temple to the household hearth. Therefore, were customary on the dresses the solar circle, the column of the sky, the rhomb, the hatch or the curved lines. Fabrics wore symbols appointed by virtue of faith, thus spinning and weaving became sacred. Between 70 BC was founded the belief in the one controlling power of the cosmos. It does not store any personal data.The Romanian popular costume finds its roots in the part of Thracian, Dacian and Getae ancestors and resembles with that of the peoples of the Balkan Peninsula, of course with differences consisting of decorative and colorful details. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category 'Performance'. This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category 'Other. The cookies is used to store the user consent for the cookies in the category 'Necessary'. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Tapetul va distrage atentia de la diferitele elemente de depozitare amplasate aici. Un spatiu ingust, folosit pentru depozitarea hainelor si a pantofilor. Modelul de tapet Pastel traditional romanesc este, de asemenea, potrivit pentru hol. Iar incaperea va beneficia de o atmosfera unica, plina de stil. Imbraca cu succes peretele dintr-o camera spatioasa si ii confera originalitate si stralucire. Mai ales cand vorbim despre amenajarea unui restaurant cu specific traditional. Iar modelul de tapet Pastel traditional romanesc este ideal pentru camera de zi sau pentru hol.ĭe asemenea, acest tip de tapet personalizat ar putea deveni inspiratia oricarui designer de interior. Prezent si in imaginea de context, tabloul poate da nota de originalitate de care orice lucrare de design interior are nevoie. Paleta de culori este inspirata din tabloul lui Nicolae Tonitza, „Fetita acrobatului”. Asa poate fi descris modelul de tapet Pastel traditional romanesc.

Tapet traditional romanesc